I'm pleased to have two poems in the new issue of Tar River Poetry. This is my first appearance in this print journal. I find myself in very good company with poems by such poets as Kelly Cherry, Susan Laughter Meyers, Karen Paul Holmes, and Faith Shearin, and Grant Clauser. I see some names new to me and look forward to getting acquainted with those poets. My own poems are "Signs That Life May Yet Work Out as You'd Like It To" and "Why I Couldn't Keep Him."
This is an exclusively poetry journal which pleases me. It's a slender volume with perfect binding and, as you can see, a lovely cover. I'm going to subscribe, and I suggest that you consider doing the same.
Some years ago I posted a list of other all-poetry print journals. I just dug that out and will re-post it here. Although I subscribe to several journals that include poetry and prose, I often find myself skipping over the prose pieces to get to the poems. So it occurred to me that perhaps I ought to subscribe to a few more poetry-only journals. Poetry with perhaps some reviews of poetry books, interviews with poets, and / or a poetics essay. A bit of art would be nice, too. I then set about gathering a list of such journals. Perhaps you might also be looking for a few ideas for new subscriptions, so I'll share the list with you. Those with two asterisks are ones I am already subscribed to.
**Beloit Poetry Journal
A saddle-stapled journal that has been around a long time. Four issues per year.
Cave Wall
Combines poetry and art. Two issues per year.
Field
Poetry and poetics, reviews by editors. Two issues per year.
Mudfish
Poetry and art. One issue per year. They make it difficult to subscribe as there is no online subscription option. Instead, you are asked to make a phone call to their NYC number.
Naugatuck River Review
Focus on narrative poetry. Two issues per year. One is a contest issue.
**Poet Lore
Poetry and Reviews, occasional essay. Two issues per year.
Rattle
Poetry and interviews. Each issue has a section of poems solicited from a particular group, e.g., nurses, attorneys. Two issues per year.
**Southern Poetry Review
Pure poetry. Two issues per year.
Spoon River Poetry Review
Poetry and one very long review essay. Two issues per year.
Sugar House Review
Poetry and reviews. All reviews are also archived online. Two issues per year. A very beautiful journal, perfect bound, glossy paper inside, pretty end pages.
**Tar River Poetry
Poetry, interviews, reviews. Two issues per year.
**32 Poems
Two issues per year.
Let me know what I've missed.
Showing posts with label poetry journals. Show all posts
Showing posts with label poetry journals. Show all posts
Friday, May 19, 2017
Wednesday, September 7, 2016
Dolls on the Move
This ad for The Doll Collection appears in the current issue of Redactions, a lovely print journal. Editor Tom Holmes was kind enough to run it for me.
Here’s the cover of the journal. I think you’ll agree that it’s beautiful. See those two eyes? They’re cleverly reproduced on the back cover. I admire that kind of attention to detail and design.
The journal includes poetry only—the way I like my journals. The back section of the journal also includes a number of book reviews. Perfect combination.
Poets with work in this issue include Angie Macri, Sandy Longhorn, George Looney, Rob Cook, Jeannine Hall Gailey, Amorak Huey—a total of 23 poets.
Speaking of The Doll Collection, I’m gearing up for an appearance at the New Hampshire Poetry Festival. I put in a proposal for a presentation and it was, much to my delight, accepted.
The event will be held on Saturday, September 24.
There will be many poets reading and presenting on a variety of topics. The schedule includes three different time slots for the presentations. There are also four poets—Wyn Cooper, January Gill O’Neil, Paige Ackerson-Kiely, and Cate Marvin—who will each give a workshop. The day will end with a reading by Ellen Bryant Voigt.
My own presentation is in the 3:00 - 4:15 time slot. It’s called “Terrapin Books: From Seed to First Fruit.” My plan is to talk about the development of my new small press for poetry, what needed to be done, the challenges, the rewards, and so on. Then we’ll have a group reading with poets from Terrapin’s first book, The Doll Collection. There might even be a few dolls present. The reading will be followed by a Q&A. If you’re in the area, please join us.
My fabulous poets include: Kim Bridgford, Lori Desrosiers, Christine Gelineau, Lori Lamothe, Kyle Potvin, Marybeth Rua-Larsen, and Emma Sovich.
I'll end this post with the full color cover of The Doll Collection. I can't resist as I am in love with it.
Here’s the cover of the journal. I think you’ll agree that it’s beautiful. See those two eyes? They’re cleverly reproduced on the back cover. I admire that kind of attention to detail and design.
The journal includes poetry only—the way I like my journals. The back section of the journal also includes a number of book reviews. Perfect combination.
Poets with work in this issue include Angie Macri, Sandy Longhorn, George Looney, Rob Cook, Jeannine Hall Gailey, Amorak Huey—a total of 23 poets.
Speaking of The Doll Collection, I’m gearing up for an appearance at the New Hampshire Poetry Festival. I put in a proposal for a presentation and it was, much to my delight, accepted.
The event will be held on Saturday, September 24.
There will be many poets reading and presenting on a variety of topics. The schedule includes three different time slots for the presentations. There are also four poets—Wyn Cooper, January Gill O’Neil, Paige Ackerson-Kiely, and Cate Marvin—who will each give a workshop. The day will end with a reading by Ellen Bryant Voigt.
My own presentation is in the 3:00 - 4:15 time slot. It’s called “Terrapin Books: From Seed to First Fruit.” My plan is to talk about the development of my new small press for poetry, what needed to be done, the challenges, the rewards, and so on. Then we’ll have a group reading with poets from Terrapin’s first book, The Doll Collection. There might even be a few dolls present. The reading will be followed by a Q&A. If you’re in the area, please join us.
My fabulous poets include: Kim Bridgford, Lori Desrosiers, Christine Gelineau, Lori Lamothe, Kyle Potvin, Marybeth Rua-Larsen, and Emma Sovich.
I'll end this post with the full color cover of The Doll Collection. I can't resist as I am in love with it.
Monday, June 20, 2016
Summer Journals Q-Z
Here's the third and final installment of the list of print journals that read during the summer months. Again, please let me know if you spot any errors or omissions. Good luck!
No rejections allowed.
**Quiddity—2x**Remember that the asterisks indicate that the journal accepts simultaneous submissions.
Journal accepts online submissions unless otherwise indicated.
**The Raleigh Review—2x—opens July 1
**Rattle—4x
Raven Chronicles—2x—April 1-July 1
snail mail
**Redactions—2x—by email–opens July 1
**Redivider—2x
**Rhino—1x—April 1-Oct 31
**River Styx—3x—May 1 thru Nov 30
snail mail
**Rosebud—3x
via email
**Sakura Review—2x
**Salt Hill—2x
August 1-April 1
**San Pedro River Review—2x
month of July
via email
**Saw Palm—1x—July 1-Oct. 1
must have a Florida connection
**Smartish Pace—2x
via email
**South Dakota Review—4x
**The Southeast Review—2x
**Southern Humanities Review—4x—Aug 1-Dec 1
**Southern Poetry Review—2x
snail mail or via their website
**Sugar House Review—2x—Jan 31-July 31
**Tahoma Literary Review—3x—now thru August
**32 Poems—2x
Threepenny Review—4x—reads thru June
**Turnrow—2x
snail mail
**Tusculum Review—1x
US 1 Worksheets—1x—April 15- June 30
snail mail
**Washington Square Review—2x—Aug 1-Oct 15
**West Wind Review—1x—July 1-Sept 1
**Women Arts Quarterly Journal—4x
**Yemassee—2x
Summer Journals A-F
Summer Journals G-P
Friday, May 30, 2014
Summer Journals Q-Z 2014
Here's the third and final installment of the list of print journals that read during the summer months. Again, please let me know if you spot any errors or omissions. Good luck!
No rejections allowed.
**Quiddity—2x
**Remember that the asterisks indicate that the journal accepts simultaneous submissions.
Journal accepts online submissions unless otherwise indicated.
**The Raleigh Review—1x—July thru October
**Rattle—2x
via email
**Redactions—1x—by email–July 1-Feb 15
**Redivider—2x
**Rhino—1x—April 1-Oct 1
**River Styx—2x—May 1 thru Nov 30
snail mail
**Rosebud—3x
via email
**Sakura Review—2x
**Salt Hill—2x
August 1-April 1
**San Pedro River Review—2x
month of July
via email
**Saw Palm—1x—July 1-Oct. 1
**Smartish Pace—2x
**South Dakota Review—4x
**The Southeast Review—2x
**Southern Humanities Review—4x—Aug 2-April 6
via email or snail mail
**Southern Poetry Review—2x
snail mail
**Sugar House Review—2x—Jan 31-Oct 15
via email
**Tahoma Literary Review—4x
**32 Poems—2x
Threepenny Review—4x—reads thru June
**Turnrow—2x
snail mail
**Tusculum Review—1x
US 1 Worksheets—1x
snail mail
April 15- June 30
**Washington Square Review—2x—Aug 1-Oct 15
**West Wind Review—1x—July 1-Sept 1
**Women Arts Quarterly Journal—4x
**Yemassee—2x
Summer Journals A-F
Summer Journals G-P
Wednesday, May 14, 2014
Wednesday, September 4, 2013
A Few Thoughts about Submissions
I recently came across The 10 Rules of Submitting to Literary Magazines at The BookBaby Blog. The author includes 10 solid pieces of advice. I was particularly interested in #3, probably because I think it's a mistake many of us make. I know I have. Here it is:
3. Send simultaneous submissions to similarly-tiered publications (in terms of prestige/influence)
"You don’t want to send the same poem to Tin House AND your friend’s fledgling online poetry journal. What if your friend takes the poem and publishes it immediately, and then you get an acceptance letter from Tin House later that same day before having a chance to notify them of the other acceptance? You’re gonna be bummed that the unknown online journal is publishing the poem—and there’s no way to tell editors “hey, thanks for accepting my poem—but before you publish it, can you wait a couple weeks to see if I hear back from Tin House?” By sending simultaneous submissions to publications of similar stature, you won’t find yourself in this situation."
In our zeal to get our work published, we may think that we're being smart by sending the same batch of poems to a top flight journal (the one we'd give an essential body part to get in) and to a mid-level journal and to one that's just okay (the safety journal). It's certainly not a bad idea to have backups in case you don't get into any of the top flight journals on your list. But the key here is "backups." Don't send to your backups at the same time you send to your favorites. Don't send to your number 2 and number 3 choices until after you've tried at least half a dozen really good journals. (I'm assuming here that we're talking about poems you believe are among your best work.)
I found myself in that creepy situation a few years ago. I'd been invited to submit to a state magazine that was doing a NJ artist feature in each of its monthly issues. So I sent the magazine some poems. At the same time, I sent the same poems to a journal I'd been dying to get into but so far had only been turned away from. I also sent to several other journals I liked. Well, the magazine replied within days that they were taking two of the poems. I then withdrew the poems from the other places I'd sent them. Except I neglected to notify the one journal that I really wanted to get into. I'm scrupulous about record-keeping and playing by the rules, but in this case I just flat-out messed up.
Several months later I received an email from the journal I was dying to get into and was told they'd accepted one of the poems taken by the state magazine. My chagrin was doubled. First there was the disappointment that I was going to have to say no. Then there was the mortification that I'd have to confess my error in failing to withdraw the poem. Now I ended up getting paid $100 per poem from the NJ magazine, but honestly I would have much preferred to have had the one poem published in the other journal and received just a contributor's copy. The editor was very nice when I apologized and explained my error. But guess what? I've submitted to that journal at least six times since and never made it through the door. I may have missed my one shot there.
I want to add one more thought here. That fledgling, poorly done journal just started by your friend? Or that one you'll take as a last chance sort of place? Don't send your poems at all to those places. If you believe your poems are really good, don't send them to a place where you won't be proud to have them appear. You'll be sorry later. It's not a good idea to just try to amass publication credits. It's wiser to be selective. Many a good poem has made it into a book without ever having appeared in a journal. Be selective.
And here's yet one more thought: If your poems have come back repeatedly, you just might be smart to take another close look at them and consider revising them. I took three such poems to a revision workshop recently, three poems I'll admit to thinking were pretty snazzy but which had suffered multiple rejections. With feedback from a group of good readers, I realized they needed more work. Pain in the neck? Yes, but also really nice to get all fired up about new possibilities. I spent several weeks reworking those poems, not just little stuff but deep revisions. I now suspect that one of them just isn't going to work. The other two are out to places I really want to be in.
Saturday, May 25, 2013
Summer Journals Q-Z
Here's the third and final installment of the list of print journals that read during the summer months. Again, please let me know if you spot any errors or omissions. Good luck!
This mailbox is lucky!
**The Raleigh Review—1x
**Remember that the asterisks indicate that the journal accepts simultaneous submissions.
Journal accepts online submissions unless otherwise indicated.
**Rattle—2x
via email
**Redactions—1x—by email
**Redivider—2x
**Rhino—1x—April 1-Oct 1
**River Styx—2x—May thru Nov
snail mail
**Rosebud—3x
**Sakura Review—2x
**Salt Hill—2x
August 1-April 1
**San Pedro River Review—2x
July 1st to July 31st, 2012 -- Non-themed
via email
**Saw Palm—1x—July 1-Oct. 1
**Slipstream—1x
snail mail
**Smartish Pace—2x
**South Dakota Review—4x
**The Southeast Review—2x
**Southern Humanities Review—4x
via email
**Southern Poetry Review—2x
snail mail
**Sugar House Review—2x
via email
**Turnrow—2x
snail mail
**Tusculum Review—1x
**Washington Square Review—2x
Aug 1-Oct 15
**Weave Magazine—2x
deadline July 31
**West Wind Review—1x
July 1-Sept 1
**Women Arts Quarterly Journal—4x
**Yemassee—2x
Summer Journals A-F
Summer Journals G-P
Wednesday, May 22, 2013
Summer Journals G-P
Here's the second installment of the list of print journals that read during the summer months. If you find any errors or have others to add to the list, please let me know. Good luck with your submissions.
This mailbox is ready to receive lots of good mail.
**Indicates that simultaneous submission is ok
Unless otherwise indicated, the journal accepts online submissions
**Gargoyle—1x—month of June
**Grist—1x
June 15-Sept 15
**The Grove Review—1x
snail mail
Hanging Loose—3x
snail mail
**Hawk & Handsaw—1x—Aug 1-Oct 1
email subs
**Hayden’s Ferry—2x
**Hiram Poetry Review—1x
snail mail
Hudson Review—3x—April 1-June 30 (all year if a subscriber)
snail mail
**Hunger Mountain—1x
**Inkwell—2x—Aug 1-Nov 15
**Lake Effect—1x
snail mail
Louisiana Literature—2x
snail mail
**Lumina—1x—Aug 1 – Nov 15
**MacGuffin—3x
**Madison Review—2x
Manhattan Review—2x
(prefers no sim but will take)
snail mail
Measure—2x
metrical only
**Michigan Quarterly Review—4x
**Mid-American Review—2x
**The Midwest Quarterly—4x
**Minnesota Review—2x—August 1–November 1
Missouri Review—4x
**The Mom Egg—1x—June 1-Sept 1
**Nimrod—2x—Jan 1-Nov 30
snail mail
**Parnassus: Poetry in Review—2x
snail mail
Pinyon—2x—August 1-Dec. 1
via email
**Pleiades—2x—Aug 15-May 15
**Ploughshares—3x—June 1 to January 15
**Poet Lore—2x
snail mail
**Poetry Miscellany—1x—tabloid
snail mail or e-mail
Poetry—11x
Summer Journals A-F
Summer Journals Q-Z
Monday, February 27, 2012
Social Media: Friend or Foe?
I recently came across an interview with Dana Gioia in The Chronicle of Higher Education. Conducted by Evan R. Goldstein in June 2011, the interview focuses largely on Gioia's reading practices. He reads copious amounts. The volume of his daily reading is all the more amazing in that he still teaches. Although I couldn't possibly come close to equaling the amount of reading he does, I was reminded again that writers read, a practice sometimes ignored by young writers.
But I was surprised by Gioia's response when asked how his reading of professional journals had changed in the past 10 years. He replied:
I used to follow a great many journals in my field, which is modern and contemporary poetry. Today I read far fewer. Most publications now seem more or less interchangeable—the poetry mostly forgettable and the critical prose generic. Perhaps I’m getting old and tired, but I’ve noticed that most of my peers also seem to follow these publications with less interest. Perhaps we are in a poetry slump.
I now read about half a dozen journals regularly, plus the online Contemporary Poetry Review. I also check Poetry Daily, which provides links to poetry reviews from across the U.S. as well as the U.K., Ireland, Canada, and Australia. I also rely on friends who constantly send me links, off-prints, and copies of journals.
Journals change, sure, and so do readers. But with so many journals to choose from, I find such a blanket dismissal surprising. I wonder which half dozen journals Gioia does read regularly. I wonder, too, if he is in a poetry slump or if poetry is in a slump.
Having read that response, I was not then surprised to read Gioia's response when asked if he reads blogs: "I don’t read any blogs regularly, although half the people I know seem to be blogging. I read them only when friends send me links in their emails."
Given how much print material he reads each day, it's easy to understand why Gioia wouldn't have time for blogs, but that's a lot to miss.
When asked about Twitter, Gioia replied: "I never use Twitter. In fact, I am deeply suspicious of the massive communications overload that the media obsesses over and glorifies. So much of this activity is just covert advertising for products and celebrities. The objective is to capture and commercialize every moment of people’s time. What we really need is more quiet and less phony connectivity."
Certainly there's a good deal of truth in this. And yes, we need quiet time for reflection and solitude for writing. But there's also the practical reality that if we want our work to be read these days, we need to make some use of social media. Yes or No? Is time spent on social media wasted time or is it part of the work we need to do to stay in touch with other poets and to assist our publishers who simply do not have large budgets for lots of advertising? Honestly, many of my Facebook friends are very well-known poets who I'm happy to hang out with, albeit if only virtually.
One reader of this interview made this comment: "Gioia's dismissal of social networking is the voice of someone who mocks what he does not understand. A shame for a scholar to let his own ignorance be his certitude."
Ouch!
But I was surprised by Gioia's response when asked how his reading of professional journals had changed in the past 10 years. He replied:
I used to follow a great many journals in my field, which is modern and contemporary poetry. Today I read far fewer. Most publications now seem more or less interchangeable—the poetry mostly forgettable and the critical prose generic. Perhaps I’m getting old and tired, but I’ve noticed that most of my peers also seem to follow these publications with less interest. Perhaps we are in a poetry slump.
I now read about half a dozen journals regularly, plus the online Contemporary Poetry Review. I also check Poetry Daily, which provides links to poetry reviews from across the U.S. as well as the U.K., Ireland, Canada, and Australia. I also rely on friends who constantly send me links, off-prints, and copies of journals.
Journals change, sure, and so do readers. But with so many journals to choose from, I find such a blanket dismissal surprising. I wonder which half dozen journals Gioia does read regularly. I wonder, too, if he is in a poetry slump or if poetry is in a slump.
Having read that response, I was not then surprised to read Gioia's response when asked if he reads blogs: "I don’t read any blogs regularly, although half the people I know seem to be blogging. I read them only when friends send me links in their emails."
Given how much print material he reads each day, it's easy to understand why Gioia wouldn't have time for blogs, but that's a lot to miss.
When asked about Twitter, Gioia replied: "I never use Twitter. In fact, I am deeply suspicious of the massive communications overload that the media obsesses over and glorifies. So much of this activity is just covert advertising for products and celebrities. The objective is to capture and commercialize every moment of people’s time. What we really need is more quiet and less phony connectivity."
Certainly there's a good deal of truth in this. And yes, we need quiet time for reflection and solitude for writing. But there's also the practical reality that if we want our work to be read these days, we need to make some use of social media. Yes or No? Is time spent on social media wasted time or is it part of the work we need to do to stay in touch with other poets and to assist our publishers who simply do not have large budgets for lots of advertising? Honestly, many of my Facebook friends are very well-known poets who I'm happy to hang out with, albeit if only virtually.
One reader of this interview made this comment: "Gioia's dismissal of social networking is the voice of someone who mocks what he does not understand. A shame for a scholar to let his own ignorance be his certitude."
Ouch!
Thursday, February 9, 2012
Poetry Only, Please
Although I subscribe to several journals that include poetry and prose, I often find myself skipping over the prose pieces to get to the poems. So it occurred to me that perhaps I ought to subscribe to a few more poetry-only journals. Poetry with perhaps some reviews of poetry books, interviews with poets, and / or a poetics essay. A bit of art would be nice, too. I then set about gathering a list of such journals. Perhaps you might also be looking for a few ideas for new subscriptions, so I'll share the list with you. Those with a single asterisk are ones I just subscribed to. Those with two asterisks are ones I am already subscribed to. Looks like I have a good year of reading to look forward to.
Beloit Poetry Journal
A saddle-stapled journal that has been around a long time. Four issues per year.
*Cave Wall
Combines poetry and art. Two issues per year.
Court Green
Each issue includes a themed section. One issue per year.
*Field
Poetry and poetics, reviews by editors. Two issues per year.
Mudfish
Poetry and art. One issue per year. They make it difficult to subscribe as there is no online subscription option. Instead, you are asked to make a phone call to their NYC number.
Naugatuck River Review
Poetry only, focus on narrative poetry. Two issues per year. One is a contest issue.
**Poet Lore
Poetry and Reviews, occasional essay. Two issues per year.
**Rattle
Poetry and interviews. Each issue has a section of poems solicited from a particular group, e.g., nurses, attorneys. Reviews are online. Two issues per year.
*Southern Poetry Review
Pure poetry. Two issues per year.
Spoon River Poetry Review
Poetry and one very long review essay. Two issues per year.
*Sugar House Review
Poetry and reviews. All reviews are also archived online. Two issues per year. A very beautiful journal, perfect bound, glossy paper inside, pretty end pages. Very reasonable at $12 per year. Can download a pdf for your e-reader.
*32 Poems
All poetry. Saddle stapled. Two issues per year.
Saturday, October 8, 2011
Print Journals That Accept Online Submissions
Time to once again update the list of print journals that accept online submissions. The list has grown this time by a baker's dozen. Clearly, more and more print journals are moving to online submission managers. I sort of miss those trips to the post office. But am happy to save paper, envelopes, and stamps. Thank you, Journals!
The Baltimore Review has been removed as it has become an online journal.
Journals new to the list (not necessarily new journals) are indicated with a double asterisk.
The number of issues per year appears after the journal's name.
The reading period for each journal appears at the end of each entry.
Unless noted otherwise, the journal accepts simultaneous submissions.
As always, please let me know if you find any errors here. And good luck.
Jan 31 - April 30
Agni—2x
Sept 1 - May 31
February 1 - May 31
June 1 - November 1
June 1 - November 15
Bateau—2x
all year
all year
**Bellingham Review—1x
Sept 15-Dec 15
all year
no sim
**Black Warrior Review—2x
all year
Sept 15 - May 15
**Boulevard—3x
November 1-April 30
Caesura—2x
August 5 - Oct. 5
Caketrain—1x
all year
April 1 - Aug. 31
Columbia—2x
September 1 - May 1
August 15-October 15
January 31-March 31
January 31-March 31
Crazyhorse—2x
all year
August 1 to 1 November
December 1 to April 1
CutBank—1-2x
October 1 thru February 15
all year
Feast—4x
print and online journal
all year
FIELD—2x
all year
no sim
no Jan, Feb, June, or July
**The Florida Review—2x ($3 fee)
August thru May
Gargoyle—1x
most recent reading period was June 1, 2011-August 1, 2011
Greatcoat—1 or 2x
November - May
Grist—1x
August 15 - April 15
**Harpur Palate—2x
deadlines: Winter issue: November 15
Summer issue: April 15
Sept 1 - May 31
Aug 1 - Oct 1
All year
pays
Sept 1 - Dec. 15
all year
rolling for 3-4 weeks at a time
check website for dates
Jubilat—2x
September 1 - May 1
September 15 - January 15
no sim
All year
Submit to Poetry Editor: lareview.poetry@gmail.com
Sept 1 - Dec 1
Lumina—1x
Sept 1 - Nov 15
all year
October 1 - April 30
**Measure—2x
no sim
all year
**The Mom Egg—1x
July 15 - Sept. 30
Meridian—2x ($2 fee)
all year
all year
all year
all year
for the Summer issue January 1 through March 1
for the Winter issue July 1 through September 1 (contest only)
no sim
Sept 1-May 31
New Madrid—2x
August 15 - November 1
Sept-May (summer okay for subscribers)
Aug 15 - May 1
**New South—2x
all year
weekly magazine
all year
Ninth Letter—2x
September 1 - April 30
Jan 1- May 1
Ploughshares—3x
June 1 - Jan. 15
Poetry—11x
year round
no sim
September 15 - April 15
check website for submission dates
Sept 1-May 1
September 15-March 31
all year
considers previously published
All year
Rattle—2x
year round
Redactions—1x
year round
Redivider—2x
all year
No June, July, August, or December
no sim
Rhino—1x
April 1 - Oct 1
roger—1x
Aug 1 - Jan 1
Rosebud—3x
All year
year round
Salt Hill—2x
August 1 - April 1
Jan 1 - Feb 1 / July 1-Aug 1
Feb. 1 - April 1
All year
All year
All year
No June, July, August
$2 fee
Sou’wester—2x
August 15 - May 15
Sept 15 - May 15
No Sim
**The Stillwater Review—1x
deadline Nov. 15
poetrycenter@sussex.edu
poetrycenter@sussex.edu
All year
Tampa Review—2x
Sept 1 - Dec. 31
no sim
via email
Sept 15 - Nov. 1
no sim
Sept 15 - April 30
Tiferet—1x
Sept 1 - December
September 1 - May 31
October 15-December 15
Upstreet—1x
Sept 1 - March 1
Versal—1x
Sept 15 - Jan 15
All year
August 1 - Oct 15
Dec 15 – Feb 1
April 15 - July 31
West Branch—2x
Aug 15 - April 15
all year
all year
Thursday, June 30, 2011
Adanna's Launch Reading
The launch reading for Adanna was held this past Sunday, June 26, at The Fieldhouse Pub in Fairfield, NJ. Although the contributors for the first issue cover the globe, we were able to get 11 of them to participate in the reading and celebration. Pam Bernard came all the way from New Hampshire while Maryanne Hannon and Laura Whalen came from NY State. Editor Christine Redman-Waldeyer and I, the Guest Editor, sent out tons of invitations. Then we hoped hard that we'd get a good turnout.
And we did! The turnout was wonderful. People just kept coming. Christine brought fruit and crackers and cheese. The journals were given to the poets and sold to audience members. The support was fantastic as was the whole event.
Each poet read his or her poem from the journal and then one other of choice. Christine closed the reading with a few poems by contributors who could not join us and with an excerpt from an amazing short story by Colleen Harris. Throughout the reading there were lovely sighs of approval and pleasure as well as thunderous applause. Then we spent some time socializing and finished the day with 14 of us going upstairs for dinner together. A perfect way to end a great day.
Serving as Guest Editor for this first issue was a complete pleasure. I learned a lot from the experience and am hugely proud of the work we selected for the issue. I hope that Adanna has much success in the future. I salute Christine for having the courage and determination to create a new print journal and for focusing on women while still extending a warm welcome to male contributors.
Be sure to check the Adanna website for information about the love poem contest. And while you're there, be sure to order the journal if you haven't already.
And we did! The turnout was wonderful. People just kept coming. Christine brought fruit and crackers and cheese. The journals were given to the poets and sold to audience members. The support was fantastic as was the whole event.
Each poet read his or her poem from the journal and then one other of choice. Christine closed the reading with a few poems by contributors who could not join us and with an excerpt from an amazing short story by Colleen Harris. Throughout the reading there were lovely sighs of approval and pleasure as well as thunderous applause. Then we spent some time socializing and finished the day with 14 of us going upstairs for dinner together. A perfect way to end a great day.
Serving as Guest Editor for this first issue was a complete pleasure. I learned a lot from the experience and am hugely proud of the work we selected for the issue. I hope that Adanna has much success in the future. I salute Christine for having the courage and determination to create a new print journal and for focusing on women while still extending a warm welcome to male contributors.
Be sure to check the Adanna website for information about the love poem contest. And while you're there, be sure to order the journal if you haven't already.
The audience assembles

The poets: Jessica de Koninck, Adele Kenny, Madeline Tiger, Pam Bernard, me, Christine Redman-Waldeyer, Jim O'Rourke, Laura Whalen, Maryanne Hannan. Missing but present for the reading: Maria Mazziotti Gillan and Michelle Lerner

The poets: Jessica de Koninck, Adele Kenny, Madeline Tiger, Pam Bernard, me, Christine Redman-Waldeyer, Jim O'Rourke, Laura Whalen, Maryanne Hannan. Missing but present for the reading: Maria Mazziotti Gillan and Michelle Lerner
What a lovely surprise!
Christine and I share a nice hug after she presented me with these gorgeous flowers
Monday, May 16, 2011
Poetry Festival: The Morning After
Yesterday was the Poetry Festival: A Celebration of Literary Journals. This is an event I began 8 years ago with the idea that it would be a one-time thing. However, the West Caldwell Library, which hosts the event, wanted to do it again the next year, and the next year, and the next. So did the poets and the editors. Me too. It's now become a tradition.
I invite the editors of 12 journals to participate. I ask them to each invite two poets to represent their journal. The event is always held on a Sunday, 1:00 - 5:00 PM, a day the library is closed to the public. However, the library opens for the event and the public is invited to come. The Assistant Director works with me during the planning stages of the event and is present throughout the day. Volunteers man the book sale area.
The editors and journals set up in the Reference area, two journals per table. Computers are turned on around the perimeter of the room so that journal websites can be displayed. Editors answer questions and provide subscription information and submission guidelines. Journals are available for purchase.
The readings are held in another room, The Community Room. I divide the afternoon into four 30-minute sessions. Three journals—6 poets—read during each session. I introduce each editor who then describes his or her journal and introduces the two poets. Each poet is asked to read two poems, totaling no more than 5 minutes. Following each reading session, there is a 20-minute break, during which time people browse the journals.
There is also a Book Sale area at the front of the library where reading poets can offer books for sale—one title per poet. Book sales were down this year which was my one regret. However, journal sales were up and that's good news as the primary function of the day is to honor the journals that make it possible for us to publish our work.
We had a really good turnout, and everyone seemed to have a great time. Here are some photos which tell their own story.
I invite the editors of 12 journals to participate. I ask them to each invite two poets to represent their journal. The event is always held on a Sunday, 1:00 - 5:00 PM, a day the library is closed to the public. However, the library opens for the event and the public is invited to come. The Assistant Director works with me during the planning stages of the event and is present throughout the day. Volunteers man the book sale area.
The editors and journals set up in the Reference area, two journals per table. Computers are turned on around the perimeter of the room so that journal websites can be displayed. Editors answer questions and provide subscription information and submission guidelines. Journals are available for purchase.
The readings are held in another room, The Community Room. I divide the afternoon into four 30-minute sessions. Three journals—6 poets—read during each session. I introduce each editor who then describes his or her journal and introduces the two poets. Each poet is asked to read two poems, totaling no more than 5 minutes. Following each reading session, there is a 20-minute break, during which time people browse the journals.
There is also a Book Sale area at the front of the library where reading poets can offer books for sale—one title per poet. Book sales were down this year which was my one regret. However, journal sales were up and that's good news as the primary function of the day is to honor the journals that make it possible for us to publish our work.
We had a really good turnout, and everyone seemed to have a great time. Here are some photos which tell their own story.
Cookies donated by the West Caldwell Shop-Rite. These and the candy added to the fun.
Adele Kenny reading for the Paterson Literary Review
Anthony Buccino reading for the Paterson Literary Review
Audience. Notice the extra chairs at the back and the people standing in the doorway and hallway. Don't all these people look happy? Imagine how happy the poets were to read for an audience like this!
Peter Murphy reading for The Literary Review
Quincy Lehr, editor of The Raintown Review. Prize for best pants.
Ray Hammond, editor of New York Quarterly
Tables with journals, crowd browsing during break
Crowd browsing. Much excitement stirred up over the brand new Stillwater Review
Tuesday, January 25, 2011
Print Journals That Accept Online Submissions
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| Cream City Review, FIELD, CutBank |
Journals new to the list (not necessarily new journals) are indicated with a double asterisk.
The number of issues per year appears after the journal's name.
The reading period for each journal appears at the end of each entry.
Unless noted otherwise, the journal accepts simultaneous submissions.
Agni—2x
Sept 1 - May 31
The American Poetry Journal—2x
September 1 - April 30
Baltimore Review —2x
all year
Barn Owl Review—1x
June 1 - November 1
Barrelhouse—2x
at this time closed for submissions--check before submitting
all year
Bat City Review—1x
June 1 - November 15
Bateau—2x
all year
Bellevue Literary Review—2x
all year
Boston Review—6x
Sept 15 - May 15
Caesura—2x
August 5 - Oct. 5
Caketrain—1x
all year
Cider Press Review—1x
April 1 - Aug. 31
Columbia—2x
September 1 - May 1
Copper Nickel–2x
all year
Crazyhorse—2x
all year
**Cream City Review–2x
August 1 to 1 November
December 1 to April 1
**CutBank—1-2x
October 1 thru February 15
Feast—4x
print and online journal
all year
**FIELD—2x
all year
no sim
Fifth Wednesday—2x
no Jan, Feb, June, or July
Gargoyle—1x
next reading period will begin June 1, 2011
Greatcoat—1 or 2x
all year
**Grist—1x
August 15-April 15
Harvard Review—2x
Sept 1 - May 31
Hawk and Handsaw—2x
Aug 1-Oct 1
Hayden's Ferry—2x
All year
pays
The Hollins Critic—5x
Sept 1 - Dec. 15
Hunger Mountain—1x
all year
**Iron Horse Literary Review—6x
all year
Jubilat—2x
September 1 - May 1
Kenyon Review—4x
September 15 - January 15
no sim
The Literary Review—4x
Reading period begins September 15
The Los Angeles Review—1x
Submit to Poetry Editor: lareview.poetry@gmail.com
Sept 1 - Dec 1
The Lumberyard—2x
all year
open submissions begin August 2010
Lumina—1x
Sept 1 - Nov 15
The MacGuffin—3x
all year
The Massachusetts Review—4x
October 1 - May 1
Meridian—2x ($2 fee)
all year
Mid-American Review—2x
all year
The Minnesota Review—2x
all year
The Missouri Review–4x
all year
Naugatuck River Review—2x
for the Summer issue January 1 through March 1
for the Winter issue July 1 through September 1 (contest only)
New England Review—4x
no sim
Sept 1-May 31
New Madrid—2x
August 15 - November 1
New Ohio Review—2x
Sept-May (summer okay for subscribers)
New Orleans Review—2x
Aug 15 - May 1
The New Yorker
weekly magazine
all year
New York Quarterly—3x
All year
Ninth Letter—2x
September 1 - April 30
Parthenon West Review—1x
Jan 1- May 1
Ploughshares—3x
June 1 - Jan. 15
Poetry—11x
year round
no sim
**Poetry Northwest—2x
September 15 - April 15
Post Road Magazine—2x
check website for submission dates
Potomac Review—2x
Sept 1-May 1
Puerto del Sol—2x
September 15-March 31
The Raintown Review—2x
all year
considers previously published
The Raleigh Review—1x
All year
Rattle—2x
year round
Redactions—1x
year round
Redivider—2x
all year
Red Rock Review—2x
No June, July, August, or December
no sim
Rhino—1x
April 1-Oct 1
roger—1x
Aug 1-Jan 1
Rosebud—3x
All year
Sakura Review—2x
Check submission periods
**Salt Hill—2x
August 1-April 1
San Pedro River Review—2x
Jan 1 - Feb 1 / July 1-Aug 1
Slab—4x
currently open for submissions
Slice Magazine—2x
Feb. 1 - April 1
Smartish Pace—2x
All year
Sonora Review—2x
All year
The Southeast Review—2x
All year
Southwest Review—4x
No June, July, August
$2 fee
Sou’wester—2x
August 15 - May 15
Spinning Jenny—1x
Sept 15 - May 15
No Sim
Sugar House Review—2x
All year
Tampa Review—2x
Sept 1 - Dec. 31
no sim
Tar River Poetry—2x
via email
Sept 15 - Nov. 1
no sim
Third Coast Review—2x
Sept 15 - April 30
Tiferet—2x
Sept 1 - June 30
Tinhouse Magazine—2x
September 1 - May 31
**Tygerburning Literary Journal—1 x
October 15-December 15
Upstreet—1x
Sept 1 - March 1
Versal—1x
Sept 15 - Jan 15
Verse Wisconsin—4x
All year
**Washington Square Review—2x
August 1 - Oct 15
Dec 15 – Feb 1
Weave Magazine—2x
April 15 — July 31
West Branch—2x
Aug 15 - April 15
Willow Springs—2x
all year
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